Showing posts with label mac cosmetics. Show all posts
Showing posts with label mac cosmetics. Show all posts

making faces :: coral crazy

this would look awesome on your face
if you follow [as opposed to simply "wear"] cosmetics, you'll undoubtedly have heard the word coral more times than you thought you would in your lifetime. it seems like for the last year, everything has been coral- lips, cheeks, eyes, hair... ok, i'm kidding about the hair, but everything else has definitely had a coral tinge. so what's the big deal?

well, part of it is that people who make colour cosmetics want to keep feeding that desire to grab what's new, what's happening right now as opposed to three months ago, which is undoubtedly no longer cool. but the powers that be said that about black lips a couple of years back too and while people flocked to try it out, most stopped at the trying stage and the fad went away [except in my case, since i've always liked that sort of hard futuristic edge that comes from black lips, as opposed to dark red or purple]. but you say "coral" in front of makeup fans and immediately they're like zombies, pelting the contents of their wallets at you and saying "more".

MORE!



first things first. what colour is coral, exactly? i'm glad you asked [not that you did, but i'd have been glad if you had asked, just so you know]. defining coral actually helps in understanding its popularity. although corals in nature can be any of a wide variety of colours, they are most often known for being a shade that mixes orange, red and pink in more or less equal measure. the proper colour "coral" is a medium-light orange with a touch of pink, a touch that makes it a little cooler [as in colour temperature, not as in hip], but there are variations on that shade which run the gamut from light to dark, some leaning more orange, some more red and some, you guessed it, more pink. it's an odd situation where a colour at once references something fairly specific and yet has a range within it. saying that something is coral is more specific, for instance, than saying it's "green", but there's still room for interpretation.

within that range, though, you are essentially dealing with tones that are very flattering on skin. the pink element keeps shades from being too warm. the orange keeps them from being too cool. so as a result, there aren't too many skin types that can't wear coral. those same elements also mean that it's less stark than a true, primary red, even when it's a fairly bright shade. and it's more original than pink, which has been around forever and can't really be expected to carry the burden of being an "it" colour. once again, for a shade that seems offbeat or hard to pin down, it's actually a pretty easy thing to carry off. easier than the black lips, at least.

here are a few things i've done incorporating corals [which have snuck into my cosmetic wardrobe despite the fact that i try not to buy trendy things... it's just so damn easy to wear].

"toxic tale"
last fall, mac introduced "toxic tale" lipstick as part of their disney villains collection. it sold out roughly three days before most people knew it existed, which is kind of a frustrating thing about mac's limited editions. the good news is that they do bring popular colours back, so i have every confidence that if you missed this one the first time, you'll have another opportunity. and since it's coral, i wouldn't be surprised if that opportunity came pretty quickly. the coral colour i used on my eyes was also a limited shade from earlier this year, but mac does have a permanent shade called "electric coral" [available at pro stores, or you can order it over the phone] which is fairly similar and lives up to its name.


face ::
nars sheer glow foundation "mont blanc"
diorskin nude hydrating concealer "001"
mac mineralize skinfinish natural "light"

eyes ::
mac e/s "dazzlelight"
mac pigment "pink opal"
mac pigment "follow your fancy"
mac eye kohl "fascinating"
mac fluidline eye liner "blacktrack"
ysl faux cils mascara

cheeks ::
mac blush "bite of an apple"

lips ::
mac l/s "toxic tale"



"ever hip"
this shade would be an example of something that mac has already brought back. it debuted last spring and sold out, so they brought it back again this year as part of their "fashion flower" spring collection. in fact, the blush- another coral shade- was also a repeat performer this year, having popped up a couple of years back in a limited edition. both of these are super-soft, understated corals, easy to wear and very safe for people who don't want anything too vibrant. or, alternately, they make a nice counterpoint for when you want to do something really intense with your eyes. greens and corals seem made for each other, as a rule. not that there are rules, but, if there were, that one would make sense.

face ::
nars sheer glow foundation "mont blanc"
diorskin nude hydrating concealer "001"

eyes ::
nars soft touch shadow pencil "celebrate" [as a base on the inner part of the eye]
mac fluidline eye liner "ivy" [as a base on the outer part of the eye]
mac e/s "sharp"
ysl e/s "slate green"
ysl faux cils mascara

cheeks ::
mac beauty powder "alpha girl"

lips ::
mac l/s "ever hip"



"hibiscus"
this lipstick is an example of the red end of coral. [is it me, or does that sound nasty?] the shade has very little pink to it at all, but it's a little softer and more restrained than a full-on red. this is a great shade for summer, which is, i suppose, why mac came out with it as part of their summer collection this year. if you blinked and missed it [again, it sold out practically before it went on sale], the good faeries have told me that there will be a shade that looks awfully similar coming out at mac in the first week in august. when a colour is hot, cosmetic companies tend to want to take advantage of it as much as they can.

face ::
nars sheer glow foundation "mont blanc"
diorskin nude hydrating concealer "001"

eyes ::
inglot e/s "351"
mac e/s "skintone 2"
mac e/s "jealousy wakes"
nars e/s "night porter"
diorshow mascara

cheeks ::
mac blush "mighty aphrodite"

lips ::
mac l/s "hibiscus"

making faces :: naked days with urban decay

i usually try not to get sucked into hype, but i'd heard so many people go on about the magical urban decay naked palette and how it was basically the holy grail of versatile, neutral shades of eye shadow that i couldn't help being curious. compounding this, there's the fact that, although it's permanently available from urban decay and from sephora, it's been out of stock at the sephora web site for about the last hundred years... so it has the allure of something that doesn't want you to possess it.

add to that the fact that most urban decay shadows are made of large quantities of win [except for the shades with glitter, which are decidedly formulated with fail, but there's none in this palette] and one of the colours included in the naked palette is "sin", which is one of my favourite shadows ever by anyone and which is disappearing at an uncomfortably fast rate from its pan and i basically got myself into a frenzy of consumer madness.

thankfully, a very nice lady in the united states took pity on me and ordered me one. so for the last several days i have been trying out variations on the neutral eye with all the different colours included.

when you can get your paws on one, it's a pretty sweet deal. there are twelve different colours- all neutral, but ranging from light to dark with both shimmer and matte textures- plus a full size brush, plus a miniature bottle of urban decay's "primer potion", which helps eye makeup go on better and stay on better. all this will cost you $48, which works out to $4 a shadow, even assuming the brush and primer are free. of course, the shadows in the palette aren't nearly as big as a regular urban decay shadow, but those will run you $17 a pop for only 0.2g more worth of product [according to the u.d. web site, the fill weight per shadow on the naked palette is 1.3g, on a regular shadow, 1.5g]. so for this not to be a good investment, there would have to be something seriously wrong with the product.



l to r :: gunmetal, hustle, toasted, sin
fortunately, that isn't the case. i compared "sin" to the remains of my individual pot and they seem exactly the same in terms of colour, texture and durability. so occasionally when things look too good to be true, they're still true. doesn't that just make you feel awesome about everything for a moment?

moving on.

the idea behind this palette- which really does seem to have turned into a license to print money for the california company- is to give a range of basic shades that can be used in combination to go with virtually any sort of look. they are mostly shimmery [although there is a matte beige and a matte medium brown], mostly warm [particularly the mid-tone shades] and, yes, they are extremely versatile. a number of the shades are ones that you might have seen before, but the point here is that they're all assembled into one perfect little package.

l to r :: virgin, naked, sidecar, buck
i agree that these shades will suit pretty much any skin tone, dark or light, warm or cool. and each shade exhibits the typical incredible pigmentation of urban decay shadows, so you really get some bang for your buck. if i had to criticise, and this would be under some duress, i'd say that i wish that they'd included one or two less shimmery shades [there's a lot of frostiness, which can be a challenge for those of us over twenty-five]. i hadn't actually "met" urban decay's matte shades before and now i'm happy i did. i'm pleased that they did not include any "glitter" shades, since those were the ones that made me want to write off the brand when i tried them. in fact, there's not a single shade i don't like and wouldn't use here. [the sparkly black "creep" doesn't do much for me, since it's a dead ringer for a lot of "black with silver sparkle" shades that already exist, but the very popularity of those types of shades makes it obvious why it would be included with this set.]

ultimately, this is the kind of thing that almost every woman who wears cosmetics would benefit from having in her collection. for those who want something simple and basic, it offers a lot of alternatives at an excellent price. for those who like to have a variety, it offers the opportunity to grab a dozen urban decay shadows for barely more than the price of two regular ones. plus, of course, the shades are ridiculously easy to use. and you get a brush and a tester bottle of primer. what could possibly go wrong?

l to r :: half-baked, smog, darkhorse, creep
here are a few looks i put together with shades from the naked palette. i'd like to add that, in all of them, i used the primer potion underneath. my initial experience with primer potion was not great, but i put that down to the fact that it was a sample and it was a gold-coloured shimmery version rather than the regular one. and there may be some logic to that. i liked the primer potion much better in its "regular" form. personally, i prefer a primer with a little more colour, because my lids are fairly dark [i look like a racoon in the mornings] and i didn't find that primer potion made shadows last as long as my usual base- mac's painterly paint pot- but it did prevent creasing and it did make the colours nice and intense, which is what a base is supposed to do.

because all the shadows were coming out of a single palette, each of these looks took ten minutes tops to complete. 





"naked matte"
like i said earlier, i really loved the matte shades [naked and buck] included with this palette and so they were among the first ones used. as a lady who loves her dark lips, this is the sort of understated eye treatment i often do, so that the focus can be a little lower. this is also the first look i did with musky amethyst, one of the new lipsticks from mac's "semi-precious" collection.

face ::
nars sheer glow foundation "mont blanc"
diorskin nude hydrating concealer "001"

eyes ::
urban decay e/s "virgin"
urban decay e/s "naked"
urban decay e/s "buck"
mac superslick liquid liner "on the hunt"
ysl faux cils mascara

cheeks ::
mac beauty powder "her own devices"
mac blush "darkly my dear"

lips ::
mac l/s "musky amethyst"






"naked smoky"
one of the suggestions on the packaging for use of this palette is that you can do "smoky bronze" looks. i went for more of a "smoky gold", which was exciting to me, because i've never had enough gold shades before to do this sort of thing. again, i went with a very pigmented lip, because, despite the "smoky" effect, i felt that the eye was fairly subtle and could deal with a deeper lip colour. on the other hand, i can also see doing this with a more restrained lip colour. hurrah for versatility.

face ::
nars sheer glow foundation "mont blanc"
diorskin nude hydrating concealer "001"
lush colour supplement "jackie oates" [as a highlighter]

eyes ::
urban decay e/s "virgin"
urban decay e/s "half-baked"
urban decay e/s "smog"
urban decay e/s "darkhorse"
mac eye kohl "smolder"
diorshow mascara

cheeks ::
mac mineralize skinfinish "new vegas"
mac blush "bite of an apple"

lips ::
chanel "rivoli




"naturally naked"
so the whole point, supposedly, of having a naked palette is that you can do very natural looks. i actually find that the shimmer in a lot of the colours makes this trickier than you would think, but there are definitely shades [hint- the ones i've used here] that capture that nice, slightly pinky flesh-tone and make it into something quite lovely. [note- if your flesh tone isn't pinky, there are probably shades in here that will be a better match for you.]

face ::
lush colour supplement "jackie oates"
diorskin nude hydrating concealer "001"

eyes ::
urban decay e/s "virgin"
urban decay e/s "sin"
urban decay e/s "hustle"
urban decay e/s "gunmetal"
mac false lashes mascara

cheeks ::
nars blush "deep throat"

lips ::
mac l/s "made to order"

making faces :: hot stuff

it's hot in here. it's not you.
ah yes, it's that time of year when the sun is strong, the humidity is high and most people are a little leery of putting a layer of paint on their faces, even a light one. after all, the inclination in the summer is to remove layers rather than add them and hot, humid weather has a way of taking your nicely done makeup and turning it into something from the climax of "raiders of the lost ark" in a hurry.

if you live your life moving from one air-conditioned spot to another [home, car, office], that's very comfortable for you. but chances are that you're going to have to sit on a terrace to have a drink or visit a friend who find that air conditioning aggravates their asthma [me] or get on a bus because your brakes are being repaired. and there are a lot of people [me included] who just have to do battle with the elements every day.

no one is likely to force you to wear makeup [put on the mascara or we'll kill grandma!], so a lot of people just don't bother with it in the warmer seasons. but there are places- often workplaces- that do sort of tacitly expect that you make some attempt to hide the embarrassment of morning face and, if you're the kind of person who likes to put on makeup anyway, you're probably not interested in just stowing your collection until the mercury drops.

so, here are a few things that i find work for me... feel free to agree, disagree or add your own.




1. hot weather tends to make you perspire. i don't think anyone is going to disagree with that, but a lot of people use cosmetic products- creams, colour cosmetics, anything- that are actually intended to be quite moisturising. unless your skin runs quite dry [in which case, for once, you can laugh at the rest of us] you're at least going to want to move away from putting a lot of products on your face that are too rich or sebaceous. anything that has the keyword "glow" in it is suspect, because products that make your skin "glow" do so by imparting it with rich, nutritious oily goodness. doesn't mean you can't wear them [i've stuck it out with my nars' sheer glow foundation], but keep in mind that you'll be compounding what nature is doing to you anyway.

one thing that you can do is get yourself a nice mattifying primer. yes, it's another layer, but the whole point of these is that they help absorb. there are a lot of them around and i don't claim to have tried all of them, but nars has a very nice one that's light without being drying and neostrata in canada has one that leaves the skin feeling quite velvety. for a cheaper variant, apparently using milk of magnesia accomplishes the same goal, although i'd really recommend this only for oilier skins.

2. it's bright. again, probably not a lot of people are going to disagree with this one. the fact that you can't really do anything about the fact that you're under bright light all the time, though, means that there are a few things to keep in mind. very elaborate, detailed makeup under bright lights tends to look a bit overdone. keeping things simple- fewer shades, less blending, etc., tends to work better for me.

of course, that doesn't mean that you have to be overly subtle. under bright conditions, bold colours can really work. simple can mean one big punch in the nose of colour. 

3. heat makes things messy. makeup is certainly no exception. to get around this, i usually try not to get around it at all. bring on the mess and make it your friend. i like to do things that start out looking a little smudged and imprecise, because that way, when the heat inevitably takes its toll, it at least won't be quite so obvious. mac's sadly discontinued greasepaint sticks are amazing for this sort of work and give you the awesome sensation of literally colouring your face with big crayons. benefit's creaseless cream shadows and armani's eyes to kill powder-that-you'll-think-is-cream shadows are also very effective. essentially, a creamier product can go on looking a little blurry and inexact, but still look good. if you want to put shadow or liner over top of that base, it'll also help them last longer.

4. moisture feels good. i'm not being really controversial here, am i? but one of the things that i avoided for a long time, but now keep as a staple for everyday use is mac's fix+ spray. it purports to make your cosmetics last longer and is perfect for applying powder products [especially loose pigments] or priming your skin. i don't know that my makeup lasts longer with it, but what i will say is that it definitely keeps it looking fresher for the time it does last. it really seems to stop the fading that occurs, especially in warmer times. i also find that it softens the appearance of makeup slightly, making it look a little more natural and relaxed.

and you can spritz it on your face when you start applying and when you finish, to give an incredibly refreshing feeling. i swear i'm going to start carrying bottles of this stuff in my purse for those moments when i need something to relax me. it's probably better than vodka. well, the two go hand in hand, really.

here are a few things that i've done to my face that illustrate these points...

this is a sort of hot-weather variant on a smoky eye, where i just smudged a cream shadow over my lids, set it with a bit of a darker pigment and was basically ready to go.

face ::

nars sheer glow foundation "mont blanc"
diorskin nude hydrating concealer "001"

eyes ::
benefit creaseless cream shadow "skinny jeans"
mac pigment "the family crest"
mac eye kohl "smolder"
inglot e/s "352"
diorshow mascara

cheeks ::
mac blush "my highland honey"

lips ::
mac l/s "out-minxed"



here's one using one of mac's greasepaint sticks. i basically just used it all over my lid- more towards the outer corners, since that's where i like to concentrate colour- and the quickly blended a shadow over it. this actually held up remarkably well during a particularly hot day and i credit that to the fact that it looked all mussed-up to begin with. i only put eye kohl [also known as "liner", but i like to talk fancy] on my upper lash line, since, when it's really hot, it lasts less time on my water line than it takes me to apply it.

face ::

lush colour supplement "jackie oates"
diorskin nude hydrating concealer "001"

eyes ::
mac greasepaint stick "french quarter"
mac e/s "patina"
mac e/s "dazzlelight" [as a highlight along the brow bone]

cheeks ::
mac mineralize skinfinish "by candlelight"

lips ::
urban decay l/s "voodoo"


this is the sort of thing i was talking about in terms of using bold colours very simply. i'm kind of proud of the fact that this looks complicated, but actually took all of five minutes to do. because the colours are separated into blocks, there was really nothing to do other than just apply. they more or less blended themselves, clever buggers. i think that this shows off the lovely, intense pigmentation of the shadows that came out with mac's "surf baby" collection. there's a reason i got almost all of them.

face ::
nars sheer glow foundation "mont blanc"
diorskin nude hydrating concealer "001"

eyes ::
mac e/s "saffron"
mac e/s "sun blonde"
mac e/s "manila paper"
mac greasepaint stick "dirty"
ysl faux cils mascara

cheeks ::
mac cheek powder [aka blush] "my paradise"

lips ::
ysl rouge pur shine l/s "blood orange"


and, finally, another more colourful look. normally, i don't do this sort of pronounced liner in the summer, because it ends up looking a hot mess in short order, but one of the nice things i've noticed about the armani "eyes to kill" shadows is that they actually hold other products in place fairly well. it's like they're having a little colour competition on my face. these photos were taken not long after application, but i was floored six or eight hours later to notice that i looked more or less exactly the same. no summer-smudging, no fading, no creasing. i also decided to take another of the dangers of summer in hand when i did this by anticipating that i was going to get flushed in the heat. i started out with a fairly bright pop of blush on the cheeks and presto- i meant to look like that.

face ::
lush colour supplement "jackie oates"
diorskin nude hydrating concealer "001"

eyes ::
armani eyes to kill e/s "pulp fiction"
nars e/s "dogon" [dark side only]
mac mega metal e/s "prance"
mac e/s "all races"
mac fluidline "blacktrack"
ysl faux cils mascara

cheeks ::
guerlain blush g

lips
nars l/g "strawberry fields"

making faces :: semi-precious faces

i did promise a couple of days ago that i'd post a couple of looks i did with the products i picked up from "semi-precious" once i had the chance to play with them more, so here's a quick peek at what i got up to thus far. everything is about what i expected [there aren't too many times when i'm shocked by a lipstick or eye shadow, but it's been known to happen], which means that from this point, i'll be happy to hibernate until fall collections start appearing [usually at about the hottest point in the summer]. if you're looking for a review of the collection as a whole and swatches, you'll want to go here. this is just me showing how i chose to work these into my daily routine...














"unsurpassable"
i applied the shadow a little damp to get some impact, because i did want a colour that stood out. it's definitely as unique as it appeared and, i'm glad to say that, applied over a base [mac's "painterly" paint pot], it does a great job of staying true to colour. after several hours, i didn't notice any serious fading. what i did notice was that there was some "migration"; little sparkly bits that started out on my eyes found their way onto my cheeks by day's end. that doesn't bother me overly- not like sparkly bits getting squished into the lines around my eyes; that drives me bonkers- but some people are put off by it and if you're one of those people, i strongly suggest you stay away from the mineral shadows in this collection other than the black-based ones, which have a more satiny texture. them's the breaks. and might i just add that i was sick as a proverbial dog the day that this

face ::
nars sheer glow foundation "mont blanc"
diroskin nude hydrating concealer "001"

eyes ::
mac mineralize e/s "unsurpassable"
mac e/s "gorgeous gold"
mac e/s "white rabbit"
mac fluidline eye liner "blacktrack"
ysl faux cils mascara

cheeks ::
mac beauty powder "oh so fair"

lips ::
mac l/s "big bow"

"smoked ruby/ gem of roses"
as soon as i got this, i was eager to try it with the colours from mac's "spiced chocolate" eye shadow quad from their 2009 "cult of cherry" collection [their best ever, in my opinion] and i wasn't let down. the red tones in "smoked ruby" mesh really well with those in the predominantly brown palette and, although it required some blending to keep the colours from looking a bit too much, this was surprisingly quick to put together. at the end of the day, i did find that "smoked ruby" faded quite noticeably- to a medium dark brown. "gem of roses" is exactly what i suspected- a sort of pink shade that would look great on almost anyone, because it seems to bring a sweet rosiness to the skin. for those who are in search in the montreal area, the bay downtown still had it in stock this afternoon.


face ::
lush colour supplement "jackie oates"
nars sheer glow foundation "mont blanc"
diorskin hydrating concealer "001"

eyes ::
mac e/s "nanogold"
mac e/s "rose" [note- this one isn't part of the aforementioned "spiced chocolate" palette]
mac e/s "sweet chestnut"
mac e/s "spiced chocolate"
mac mineralize e/s "smoked ruby"
mac eye kohl "smolder"
mac false lashes mascara

cheeks ::
mac mineralize blush "dainty"

lips ::
mac l/s "gem of roses"

making faces :: product review [mac "semi-precious" collection]

meet the minereal shadows, 2011
last week, i posted about mineral makeup in honour of the impending release of mac's summer mineral collection. as of today, it's officially in all mac locations [pro locations have had it for a week and it went on line earlier this week]. despite the fact that following mac's constant new collections is starting to feel a lot less like something fun and exciting and a lot more like a chore, since popular items are selling out the day of release, i did make my way down to meet the new collection and see what i thought about it first hand. and yes, a couple of items were already sold out by the time i got to my local mac store, approximately two and a half hours after opening time.

once again, mac have gone way overboard with what's available- a dozen eye shadows, three blushes, four highlighters, four new brushes, five glosses and four lipsticks is a lot to take in. [it's even worse if you go to nordstrom's or the bay, because those locations have their own new collections plus this one launching today.] strangely, with all that to offer, i came away with five items- three lipsticks [which i have to say, i got chiefly because i had a lot of empties, so i was able to trade in and get them for free] and two of the new mineral eye shadows.





meet the extended mineral family, 2011
the blushes, although they have a nice texture, are an orange-peach, a bright pink and a golden brown. nothing that hasn't been done before. if you don't have something similar, they're worth a look. if you already have a fair collection, keep this in mind when fawning over how lovely and smooth they are: you're really only going to notice this when you're applying them. there's nothing in the product once its on your face that is going to stand out as being particularly marvelous.

the highlighters are, in my mind, the very essence of overkill. each one has an outer ring of a shimmery solid colour and an inner "splat" made up of a mix of colours. kind of interesting to look at, but it seems like a lot of work went into coming up with a whole selection of shades that work out to something that gives the skin a bit of a glow and not a whole lot else. some are more glittery than others, which may put some people off and which may appeal to others. my reaction was that i was kind of exhausted just looking at them. there's so much going on for a relatively neutral product. it seemed like a large part of the $33.50cad price tag is probably paying off a team of engineers for figuring out how to execute these.

l to right :: gem of roses, musky amethyst, one of a kind
the glosses are all mac's "cremesheen gloss" formula, which i know many people like because it's light and sheer and non-sticky. i dislike it because it's light and sheer and non-sticky. such is the nature of subjectivity. i like a gloss that has a bit of impact and hangs around and frankly, if it's sticky enough that i have trouble opening my mouth, it's probably just stopping me from saying something stupid anyway. these are easily a skip for me, but i suspect that a couple of the colours [particularly shimmer pink-coral "geo pink", since anything associated with coral is stupid hot right now] will be "fan favourites".

moving on to those parts of the collection i actually purchased from, there are four lipsticks with this collection. three are in mac's lustre formula and the fourth is a frost, but it's so soft and sheer that even the girl who helped me at the mac store referred to it as a lustre. i can understand this, because it's a great formula for summer- not too heavy or clingy.

"lush amber" [a.k.a., the one i didn't get] is a very sheer warm peach colour. it's certainly not suited to my cooler-toned skin and i think people with pigmented lips would have trouble getting it to show up. so it's a colour with a fairly specific target audience. strangely, this one seems to be sold out almost everywhere in montreal...

gem of roses
gem of roses
"gem of roses" [already sold out on the canadian and american web sites, apparently] is a lovely warm "strawberry ice cream" pink. this one, i think, has a very wide potential audience [hence being sold out], because it's fairly pigmented and is balanced enough in tone to suit either cooler or warmer skin. it's a little pinker, a little deeper and more pigmented than nars' "mayflower", a little warmer than the old mac l.e. colour "rue d'bois", but they're all in the same family. i'm actually surprised at how tricky it was to find a close match for this shade, considering that it doesn't seem like an earth-shattering concept for a colour, but there you have it. sometimes, people just don't notice the obvious things that are missing and someone at mac apparently did.

l to r :: mac rue d'bois, gem of roses, nars mayflower


one of a kind
"one of a kind" just screams out to be worn to the office, or to court, or to any occasion where you have to pass for a classy, upstanding citizen. it's what most people would call a "neutral plum", although i'm continuously flummoxed by what people call plum in the cosmetic industry... basically anything that has red, purple and brown in any type of mix is a candidate to be called plum. in this case, i'd say that the colour has a light reddish-purple cast with brown added to make it more neutral. so i guess that fits the industry definition of plum, but i don't think i'd eat a fruit that colour.
one of a kind
if "gem of roses" is "my lips but sweeter" [and it is], this one would be "my lips but more elegant". the closest i could come up with in terms of a comparison with other mac shades was a limited one from several years back called "tempt me". "one of a kind" is sheerer and slightly browner. i think this shade will end up getting lost in the avalanche of products with this release, which is too bad, because, of the three shades i picked up, this one is probably my favourite.




l to r :: mac tempt me, one of a kind


musky amethyst
musky amethyst
last up, there's "musky amethyst" a deep, smoky red-purple berry shade the type of which always follows me home. it's a little bit vampy, but the fact that it's quite sheer means that it works as a summer variant of the dark lip. it's a close cousin of "cunning", another mac limited shade from last year and a sheer version of "hipster" from a couple of years back. if you're like me and love these sorts of shades, it's worth a look. if you have either of the comparisons i mentioned- particularly cunning, which is just a shade redder and less sheer- and don't wear them often, you can easily skip "musky amethyst".

l to r :: mac hipster, musky amethyst, cunning


i picked up three colours because i was able to get them for the price of some empties i had around home. would i have paid full price for any? quite possibly "one of a kind", but probably not the others. they're nice shades, but they aren't special enough to allow my heart to overcome my wallet.

the real headliners of this collection, though, are the eye shadows. they seem to fall into two broad categories: rich jewel tones against a black base, which apply pretty much the same wet or dry and shades that are a mix of several colours and metallic sparkle that apply fairly sheerly when dry and more intensely when wet. i ended up picking up one of each.

smoked ruby
smoked ruby wet/ dry
"smoked ruby" is a burgundy-brown over a black base. the result is a very dark warm brown, which looks a little like a metallic shade when it catches the light. similar to this one are a deep blue, blackened green and a dirty gold, all of which have this same metallic shimmer in a rich black base appearance. it's a rich shade and i love the fact that the base gives it depth while the shimmer allows it to shift slightly in the light. the lady who served me was wearing this shade and you can definitely catch the subtleties when you see it in person. the colour is incredibly even and blends quite easily. to me, this was the absolute stand-out of the collection, there are other warm, dark browns, but none quite have its edge. that said, any of the black-based shades are probably worth the $24cad purchase price if you're interested. i found that "smoked ruby" appealed to me personally because mac really hasn't done a burgundy variation of this sort, whereas there are golds, blues and greens kicking around that are similar.

l to right :: mac twinks, smoked ruby, armani eyes to kill lust red


unsurpassable
"unsurpassable" is more typical of mac's past mineral shadows. described by mac as a mix of "green, teal, purple and copper", it has a predominantly green base with threads of the other shades drizzled through it. each one is different, which can make you a little leery about making a purchase even after swatching. some of the mixed shades in this collection vary hugely from one unit to another, so even once you've tried one on your arm, there's no guarantee that the one you end up with is going to look the same. basically the only way to achieve certainty is to make the poor mac employees pull out all the units they have and go through them to find one that is as similar to the tester as possible. please, if you're going to do that, don't tell anyone that you read the idea here.

unsurpassable wet/ dry
in use, unsurpassable is a celadon green with a lot of gold shimmer in it. i saw one tester that had a lot more of the purple [really kind of a blue-violet] in it and the resultant shade was much more aqua-tinged. but mine is quite green, semi-sheer when applied dry and more intensely green when applied wet. quite intense, actually. i used my finger to swatch the product wet and it stained my f**king finger green. the amount of gold shimmer makes the colour look almost metallic and i really can't think of something i've seen that matches it. i like the fact that the bright green base gives a strong anchor [although it's nowhere near as bright as it looks in the pan] and you get a bit of a reflect from the other elements.

of the other "mixed" shades, "hint of sapphire", a cornflower blue with pink and copper is quite special and i may go back for it, i found one tester that had a lot more pink in it than others, and this just elevated the shade from pretty to awesome, but i have a strong feeling that that tester was a fluke.

generally, all of the mixed shades suffer a little from what i call the "water colours" problem. remember when you were a kid, playing with watercolour paints and you'd have to wash your brushes off? you'd put one or two brushes in water and the water would turn this amazing new colour. then, as you'd add more and more brushes, the water would gradually turn this sickly grey with elements of all the colours kind of lost. the shades in this collection that are the most successful are the ones where there is a strong base and where the additional colours can add a little dimension without competing. shades where there are a lot of contrasting colours involved, as amazing as they are to observe in the pan, end up with a final shade that looks kind of like that water when all the brushes have gone in. and keep in mind that, even when you can see a lot of dimension to the colour swatched on your arm, you'll see a lot less of it on your eyes. i think that this is one of the reasons why the black-based colours are so successful- there are only a couple of elements and you get the effect of both. beyond that, the more you add, the riskier it gets.

overall, i'd say that what one gets out of this collection is going to depend a lot on how long you've been a mac fan. i think that those who are fairly new and haven't indulged in mac collections before could actually get a lot and be happy. the quality is good and there is a decent variety of shades in most products. old hacks like me are probably going to be less enthralled, because there isn't much that's truly unique.

the shadows have something to offer, but can be tricky to buy, especially if you're trying to make choices over the internet. the good news is that, with such a large collection of colours, i don't think most of them will sell out too fast, so you have some time to think and check on line for swatches. [as i was typing this, i thought that the one exception would be "golden gaze" the black and gold shade. i checked the canadian web site to confirm the name and noticed it's sold out. sigh.]

i'll post a couple of looks with the products put to work in the next few days. 

all products are available exclusively through mac stores and counters or online at www.maccosmetics.com.